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Clear guidance for broadcast production

Broadcast production advice

Clear guidance for studios and live events

We explain studio design, camera control, lighting, sound and workflow planning in plain terms, so your crew knows what is being built and why.

What we do

Six areas of support for television and live production

bulletico advises broadcasters, studio managers and event producers on the technical side of audiovisual production. Our work runs from the first floor plan of a studio to the signal flow of a live broadcast. Each service below has its own page section with more detail.

  1. Studio Design Advice

    Layout and equipment planning for television studios, from floor plans to cable routes and control room positioning.

  2. Camera Control Systems

    Guidance on camera control units, remote heads and shading setups for multi-camera productions.

  3. Lighting Design

    Lighting plots and rig plans for studio sets and live stages, balanced for broadcast cameras.

  4. Sound Engineering Support

    Audio chain planning, microphone placement and mixing workflows for broadcast and live events.

  5. Live Event Workflow Planning

    Production schedules, signal flow diagrams and crew coordination for live broadcast events.

  6. Technical Training Sessions

    Half-day and full-day sessions for crews on gallery operation, vision mixing and camera work.

Not sure which service fits? Describe your studio or event in a few lines through the contact page and we will tell you where we would start.

Services
Working context

The kinds of spaces and tasks we advise on

These scenes show the environments our advice applies to, from studio floors to control rooms and live stages. Each caption describes the planning questions we usually raise there.

  1. Studio floor layout and cable routes

    A studio floor is planned around camera movement, set positions and clean cable paths. We look at where crews walk and where cables cross before anything is fixed.

  2. Camera positions on a multi-camera set

    Camera placement decides what a director can cut between. We discuss lens choices, tripod or pedestal use and how remote heads fit the space.

  3. Lighting rig above a studio set

    A lighting rig has to suit broadcast cameras as well as the eye. We balance key, fill and background levels so shading stays manageable.

    Lighting rig above a studio set
  4. Audio chain in a control room

    Good sound begins with a clear chain from microphone to mixer to output. We map each stage so faults can be traced quickly during a show.

    Audio chain in a control room
  5. Signal flow for a live event

    For live events we draw the signal path from camera to screen and to air. Crew roles and cue points are written alongside it.

    Signal flow for a live event
  6. Gallery operation training

    Training sessions put a crew in front of the desk they will use. Vision mixing, camera calls and talkback habits are practised in turn.

    Gallery operation training
A Colchester consultancy for broadcast crews A Colchester consultancy for broadcast crews
About us

A Colchester consultancy for broadcast crews

  • 2012Year founded
  • 4Specialists on the team
  • 6Service areas
About Us

How we work

From first enquiry to a plan your crew can follow

Every project begins with a conversation about what you need to put on screen. We then work through the technical detail and write it down in documents your crew can read at the desk. The steps below show the usual order, which we adjust to the size of the job.

  1. Enquiry and brief

    You tell us about the studio, programme or event through the contact page. We read it, ask what is missing and confirm whether our services suit the task before any work is agreed.

    What you leave with

    A short written summary of what you need and what we can advise on

  2. Review of the site or setup

    We go through your floor plans, equipment lists and schedules, and where useful visit the space. The aim is to understand the real constraints, such as ceiling height, power and crew size.

    What you leave with

    A list of constraints and open questions

  3. Planning and drawing

    The relevant specialist prepares the plans: floor layouts, lighting plots, audio chains or signal flow diagrams. Choices are explained in plain language so you can challenge them.

    What you leave with

    Draft plans and diagrams for your comments

  4. Revision with your team

    We go through the drafts with your engineers or producers and change what does not fit how your crew works. Questions are answered in writing so the reasoning is kept.

    What you leave with

    Agreed plans with recorded decisions

  5. Handover and support

    You receive the final documents, and where booked we run a training session on the equipment or workflow. We remain available for questions as the plan is put into practice.

    What you leave with

    Final documents and, if booked, a crew training session

Tell us about your studio or event
Start a conversation

Tell us about your studio or event

Send us a few lines through the contact page. We will reply in writing with questions or a suggested way forward, and a written quotation if you wish to proceed.

Contact

Plain-spoken guidance on studio design, camera control, lighting, sound and workflow for television networks and live events. Based in Colchester, working across the UK.

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